CD

to catch a running poet

Released: February 22, 2019
NEOS 11906

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Maja Mijatović, Harpsichord

first studied the flute at the Sarajevo Music Academy and at the University of Music and Performing Arts in Vienna. Here, she mastered the harpsichord, being taught by Wolfgang Glüxam. Further studies with Augusta Campagne and Sally Sargent rounded up her education.

The diverse repertoire of early music and the musical expression of contemporary avant-garde constitute the focus of her artistic work. For her, this polarity represents an exciting source of various, contrasting, but related forms of expression. This led to a vivid collaboration with composers such as Christian Diendorfer, Hannes Dufek, Karlheinz Essl, Margareta Ferek-Petrić, Tamara Friebel, Peter Jakober, Manuela Kerer, Sylvie Lacroix, Rafael Nassif, Šimon Voseček.

Being active as soloist and chamber musician in early and contemporary music, she is co-founder of Ensemble Klingekunst – www.klingekunst.at

Collaboration with Wiener Collage, Phace, OENM, Die Reihe and Platypus. Participation at Festivals for contemporary Music, such as Warsaw Autumn, Wien Modern, Museum Essl/Schömer-Haus, Festival Prix Annelie de Man 2015 and 2018. 

Works

(d) dedicated to Maja Mijatović
(c) commissioned by Maja Mijatović

Solo

Petra Stump-Linshalm (*1975)
MÖGE DIE ÜBUNG GELINGEN
2020 (d,c)

Hannes Dufek (*1984)
arresting images
harpsichord solo and prerecorded material or live electronics
multiple harpsichords
2014/2017ff (d,c)

Tamara Friebel (*1975)
Dance Me To My Rebirth
harpsichord with ping pong balls (electronic possibility)
2017 (d)

Peter Jakober (*1977)
dringen
harpsichord and prerecorded material
2017 (c)

Manuela Kerer (*1980)
Granat
2017 (d)

Rafael Nassif (*1984)
empty-forms
2017 (c)

Margareta Ferek-Petrić (*1982)
Ištaratu for harpsichord
2016 (d)

Dana Cristina Probst (*1961)
Flowers. Rites of passage
2016 (c)

Sylvie Lacroix (*1959)
les poétesses courante
2013 (d)
Publisher: Stiching Donemus Beheer, Rijswijk 2015

Karlheinz Essl (*1960)
Sequitur XII
harpsichord and live electronics
2009 (d)

Christian Diendorfer (*1957)  
PSI for harpsichord
2005 (d)
Publisher:  TUBU Press

Christian Diendorfer (*1957)
Psi Song
2010 (d)

Concerto

Christian Diendorfer (*1957)
Electric Psi
concerto for e-harpsichord and chamber orchestra
2015 (d)

Ensemble

Tamara Friebel (*1975)
Twilights, dancing around us.
baroque flute and harpsichord
2015

Margareta Ferek-Petrić (*1982)
Mad darkness I
baroque flute and harpsichord
2015

Dana Cristina Probst (*1961)
Flori de lioarã
recorder, voice and harpsichord
2015

Gabriele Proy (*1965)
Komorebi
recorder and harpsichord
2014

Manuela Kerer (*1980)
LF 1
recorder and harpsichord
2013

Margareta Ferek-Petrić (*1982)
KaraokeYingYang (Eine Ode an die Frauenlaunen)
recorder and harpsichord
2013

Daniel Oliver Moser (*1982)
vanitas, solutio
baroque flute, viola da gamba and harpsichord
2011

Tamara Friebel (*1975)
Instant Memory Trace 1
baroque flute, harpsichord and elektronics
2011

Šimon Voseček (*1978)
Kaulquappen
baroque flute and harpsichord
2011

Tomasz Skweres (*1984)
Autismus
baroque flute and harpsichord
2010

Fernando Riederer (*1977)
in undisturbed solitude
baroque flute, harpsichord and electronics (ad libitum)
2010

Robert Jamieson Crow (*1956)
Sagt in süssen schmertzen
voice and harpsichord
text: Martin Opitz (1597-1639), from Des hebräischen Königes Hohelied
music: Robert J. Crow after lute pieces from Codex Claustroneuburgensis 1255, ca. 1700

Sanda Majurec (*1971)
Shadows
recorder and harpsichord
2015

Tena Ivana Borić (*1979)
Infantility
harpsichord and recorder
2015

Viktorija Čop (*1979)
Klank i Bobl
recorder and harpsichord
2015